Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
They most konstnarerna wonder that term had telephone if alike nagon insight in navy thing ocb had darfor svarigheter that picture one vessel accurate

ID: 49704

unknow artist They most konstnarerna wonder that term had telephone if alike nagon insight in navy thing ocb had darfor svarigheter that picture one vessel accurate
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unknow artist They most konstnarerna wonder that term had telephone if alike nagon insight in navy thing ocb had darfor svarigheter that picture one vessel accurate


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unknow artist

  Related Paintings of unknow artist :. | The Well-dressed gentleman of 1590 | The Notification | Marii Wozniakowskiej | Charles i and Henrietta Maria and their children | Still life floral, all kinds of reality flowers oil painting 256 |
Related Artists:
Master John
(floruit 1544-1545)
William Vincent Cahill
American, died 1924
Francesco Curradi
Italian Baroque Era Painter, 1570-1661 son of Taddeo Curradi. He produced many devotional works and had a large clientele. At their best, the works are distinguished by lucid draughtsmanship, simple compositions and elegant, melancholy figures. Curradi was trained in the studio of Giovan Battista Naldini and in 1590 matriculated from the Accademia del Disegno, Florence. His first independent works include a Virgin and Child with Saints (1597; Volterra, S Lino) and a Birth of the Virgin (1598; Volterra Cathedral), both signed and dated. These paintings reflect the new clarity and directness introduced into Florentine painting by such artists as Santi di Tito and Jacopo Ligozzi. Subsequent works include a Crucifixion (1600) and a Virgin and Saints (1602; both Legnaia, S Angelo). In these the influence of Naldini yielded to that of Lodovico Cigoli and his circle, while the mildness of expression in the figures was inspired by Domenico Passignano. An album of 87 red chalk drawings, with scenes from the Life of St Mary Magdalene dei Pazzi (1606; Florence, convent of the Carmelites at Careggi) distinguished by their precision and clear, characteristically Florentine compositions, contributed to the iconography of this popular Counter-Reformation saint. In 1607 Curradi was commissioned to portray her mortal remains, and this painting, together with the drawings,






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